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Theatre Name:
Duke on 42nd Street

Address:
229 West 42nd Street
(between 7th & 8th Avenues)
New York , New York 10038

Contact Information:
Phone: 646-223-3010



Peter Pan
Bedlam, the innovative theater group, helmed by Eric Tucker, has grown famous with clever stripped-down versions of the classics (Hamlet, Saint Joan, Twelfth Night) which reveal hidden meanings, as well as a brilliant staging of Jane Austen’s Sense and Sensibility. Now they have attempted J.M. Barrie’s beloved children’s play, Peter Pan. Adapted by the company and staged by Tucker, the results are a spotty deconstruction as a Freudian nightmare updated to the present. Performed with only six actors, the play is difficult to follow with all but one actor doubling or tripling and will be very confusing for people who do not know the original. The question is why at this time of year when parents are looking for things to take children?
 
John McDermott’s set for what was once an Edwardian fairy tale is an all-green space with an Astro-Turf floor, a high window, a door, and a crawl space for Nana the dog. This has to stand in for the Darling’s nursery and Neverland, Captain Hook’s ship being given short shrift. At times, the Darling home switches from the children’s nursery to what seems to be the backyard with an above ground pool. Some of the doubling requires actors to play two characters in the same scene such as Brad Heberlee as both Peter Pan and Nana the dog, and Zuzanna Szadkowski as Mrs. Darling and Captain Hook. Tucker wears glasses with thick black rims as Mr. Darling, Smee and Toodles. Susannah Millonzi plays both youngest son John as well as cigarette smoking Tinker Bell who unaccountably speaks French. Only Kelley Curran as Wendy gets to play one character throughout and is the most successful. 
 
There is a dark psychological story hidden in Barrie’s tale of a boy who refuses to grow up but this isn’t it. Whereas the original play is joyful, Bedlam’s Peter Pan is a glum affair in which no one seems to be having a very good time. Where is the Bedlam which brought such purposeful insight and visual dazzle to its previous work? The actors, mostly playing children, try hard but fail to bring the work to life.


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